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In this lively anthology, leading film actors from the silent era to the present-Charlie Chaplin, Greta Garbo, Marcello Mastroianni, Henry Fonda, Meryl Streep, and many others-describe the art and technique of acting for film. Illustrated with over fifty movie stills, the book provides a fascinating mix of shoptalk, anecdotal history, personal reminiscence, philosophy, and practical acting advice from a stellar cast of favorite screen performers.
- Sales Rank: #1721358 in Books
- Published on: 1999-08
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .88" w x 6.00" l, 1.11 pounds
- Binding: Paperback
- 384 pages
From Kirkus Reviews
The most underappreciated element of film as an art form (at least in academic film criticism) may well be acting; this collection, by four scholars (three at the University of Michigan, one at the University of Southern California), attempts to redress that imbalance by drawing on the words of those who practice the craft. According to Ronald Gottesman, this volume has been 25 years in the making, no doubt because so few actors of earlier generations have been inclined to intellectualize their profession. Indeed, it may well be that actors are by temperament and inclination not the best people to hold forth on how they do what they do. Certainly, a great deal in this volume suggests as much. The book consists of 42 pieces spanning nearly all of film history, from a reminiscence of acting in a 1912 silent by obscure British actor Charles Graham, to lengthy dialogues with the likes of Jack Nicholson and Robert DeNiro. These contributions are linked together, sometimes rather awkwardly, by Leigh Woods, who attempts to supply historical context for them. Some themes are sounded repeatedly: the difference between stage and screen; the difficulties inherent in working in bits and pieces, as one does in film; the relationship between personality and persona; keeping a perspective on craft after stardom rears its head. Many of the entries contain nuggets of interesting observation. Laurence Olivier offers an intriguing note on how film acting taught him to use his eyes more effectively onstage. Hume Cronyn contributes a useful checklist for building a part. Jack Lemmon compares acting to undergoing psychoanalysis. But much of the volume is tedious, repetitive, or outdated. Acting is about commanding the attention of the audience. This book will lead readers attention to stray. -- Copyright �1998, Kirkus Associates, LP. All rights reserved.
Review
The result is a rare thing indeed--unshowy insights into the artistic side of showbiz. -- Entertainment Weekly, Megan Harlan
About the Author
Bert Cardullo is Professor of Media and Communication at the Izmir University of Economics in Turkey. He is the author, editor, or translator of a number of books on film and drama.
LEIGH WOODS is Associate Professor and Head of Theatre Studies, Department of Theatre and Drama, University of Michigan, Ann Arbor.
Geduld is professor of Comparative literature at Indiana University
Gottesman is professor of English at the University of Southern California.
Stanley Kaufmann is internationally recognized as a film critic and writer.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Amazing insight, once you get past the Brit-lit doggerel.
By sschreibman@parfumsgivenchy.com
Playing to the Camera only wishes it was as academic as its editors would have you believe. Between long-winded, professorial previews of each subject lies fascinating first-person accounts of an ever-evolving medium. You hear from silent greats like Louise Brooks--her interview alone is worth the price of the book--to modern stars like Streep and the rest. What you see is that the more film technology changes, the more it stays the same. The actors, technicians all, bare their trained souls and share their insights into film acting.
2 of 2 people found the following review helpful.
An absorbing blend of history, biography & acting insights.
By Midwest Book Review
Film actors discuss their experiences in a changing industry, from Charlie Chaplin and Greta Garbo to Henry Fonda and Meryl Streep, in Bert Cardullo, et.al.'s absorbing blend of history, autobiography and acting insights. Playing To The Camera pairs their experiences with over fifty movie stills and observations on the acting world and makes this particularly accessible to aspiring actors interested in how the medium has changed.
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